送博主一杯咖啡
2013年1月9日 星期三
///David Bowie Worked in Secret on Comeback LP For Two Years Read more: http://www.rollingstone.com/music/news/david-bowie-worked-in-secret-on-comeback-lp-for-two-years-20130109#ixzz2HVeXkgDB Follow us: @rollingstone on Twitter | RollingStone on Facebook///
David Bowie shocked the world yesterday by releasing the mournful single "Where Are We Now?" and announcing that a new album called The Next Day – his first LP in a decade – would hit stores in March. Bowie has yet to talk publicly about his comeback, but his longtime producer Tony Visconti told the BBC that they'd been working in secret on the disc for two years.
"I've been listening to this on headphones, walking through the streets of New York, for the past two years," Visconti said. "I have not tired of a single song. I think the material on this album is extremely strong and beautiful. If people are looking for classic Bowie, they'll find that on this album. If they're looking for innovative Bowie, some new directions, they'll find that on this album too."
David Bowie Returns With First New Music in 10 Years
Visconti was surprised that Bowie selected the downcast "Where Are We Now?" as the leadoff single. "It's a very reflective track for David," he says. "Maybe the only track on the album that goes this much inward for him. It's quite a rock album, the rest of the songs, so I thought to myself: 'Why is David coming out with this very slow, albeit beautiful ballad? Why is he doing this? He could come out with a bang.' I think the next thing you hear from him is going to be quite different."
Bowie and Visconti first joined forces in 1970 on The Man Who Sold the World. They worked together on many of Bowie's most enduring albums, including Low, Heroes, Lodger and Scary Monsters. After a long break they re-teamed in the early 2000s for Heathen and Reality.
They worked on the new album at a very slow pace. "We never spent more than two to three weeks at a time recording," Visconti said. "And then we'd take off as much as two months. We'd usually work on one or two songs in an afternoon and we'd whip them up to shape where they'd sound like great rock tracks. At that point there wouldn't be any final vocals or lyrics. This is the same way I'd been working with him since The Man Who Sold the World. He hasn't really changed in his approach."
Bowie's 2004 tour was cut short when the singer underwent emergency heart surgery for a blocked artery. Rumors spread that Bowie's long absence from the music scene was related to health problems, but Visconti says that isn't the case. "He's a very healthy man," the producer says. "I assure you. I've been saying this for the past few years. I couldn't explain how I know that, but I worked with a very healthy David Bowie in the studio and a very happy David Bowie in the studio."
The Next Day hits stores in early March. It's unclear whether or not Bowie will support the disc with a tour.
Read more: http://www.rollingstone.com/music/news/david-bowie-worked-in-secret-on-comeback-lp-for-two-years-20130109#ixzz2HVeeiWes
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///'Pretty Little Liars' Recap: Mona's Back And She's Got Brains///
Twas another dark night in Rosewood and Hanna is nestled all snug in her bed, while shadows slowly hover over her head. As she sprang from her bed to see what was the matter, we see MonA standing beside her. "Is this a bad time?" she asks.
As Hanna wonders how the hell her psych-patient-former-best-friend wound up in her bedroom -- "She Joey Pottered it," my mom and I decide -- MonA explains that she's scared to go back to school with "no on in [her] corner."
When Hanna's Gramma hears her talking to MonA, she tells her she's simply "reading out loud." Obviously, that should have tipped Gramma Marin off, but it seems to satiate her curiosity.
Mom: "GRANDMA? What is up with that?"
Jaimie: "Remember? Betty Buckley?"
Mom: "What happened to Ashley? Overnight with the minister?"
Meanwhile, out on the mean, desolate streets of Rosewood, a big black SUV starts chasing a hooded skateboarder until he's driven off the street. As he hits a curb, we see the driver is TobAy, but who was the skateboarder?
Mom: "Whew. I'm exhausted."
But we've only just begun.
The next day, Colonel Fields -- who's back apparently? -- is arming his family's home with an alarm on every window, much to Rapunzel's Emily's dismay as a ladder hits her bedroom window. (So. much. Joey. Pottering.) Emily's dad tells her that Garrett's mother is going after the Rosewood police to clear Garrett's name, but Em doesn't think he's innocent -- after all, Ali's murder remains unsolved.
Hanna activates the Liars phone chain and now the quartet knows that MonA's back: Aria thinks they should ignore her, while Spencer believes she could have more answers ... and a connection to the NAT club. Spence dares to bring up Aria's dad, but she says she's not going to start believing her former coffin buddy now, especially when she and Byron are finally getting along.
Mom: "Woah! Lucy is sporting many mixing patterns."
Jaimie: "Polka dots, checks, stripes, spots and many more things."
Mom: "Niiiiiice. Soo Sharon Lois & Bram."
When Hanna goes downstairs for breakfast, there's a basket of muffins from MonA and Gramma tells her the tale of Cousin Heshy and the Rusty Nails, which would have made an awesome installment of "Are You Afraid of The Dark?" Gramma thinks people can change, but Hanna isn't so sure.
Hanna tells the girls she promised to "be around for" MonA and Emily agrees with her and Spencer -- MonA could have some answers. Em brings up Byron again and Aria blows up, "You actually believe that my own dad would drug me and put me in a box?" She walks into school -- but not before having a bitch glare staring contest with MonA -- and Emily feels bad.
She confronts Aria, who admits she's now suspicious of her dad too and has Ezra's baby mamma Alex Mack on the brain. When they get to class, she sees that Meredith "Center Stage's" Jody (Byron's former mistress) has taken over for her American History teacher who went on maternity leave. Jody takes Aria's phone in the middle of class and confronts her after class about texting gossip about her during class.
Mom: "I hate to say it, but Meredith looks good."
Jaimie: "True."
Mom: "What time of year is this?"
Jaimie: "It's always summer in Rosewood."
Mom: "Isn't it October? They do have winter in Pennsylvania."
Jaimie: "Pennsylvania is like LA, but only in Rosewood."
After American History with Jody, MonA goes to her locker and there's a brain on the inside of the door with a knife through it and a sigh that reads, "Takes one MAD COW to know another." Is Mad Cow still something we discuss? I was unaware. Anyway, as her classmates look on through the lends of their phones, which Jody didn't confiscate, MonA walks to the trash to throw away the brain and the knife.
Mom: "Mona is a sick puppy. Of course, there is no teacher to be found."
Jaimie: "And monkey's brains are popular in Cantonese cuisine ... or so I learned from 'Clue.'"
She then walks over to Lucas and whispers something in his ear. After, Hanna asks him what she said, but Lucas simply limps away with his head hanging low.
Back at non-class and inside the bathroom, Aria, Spencer and Emily are worried people will think they put the brain in MonA's locker. Admittedly, Aria and Em feel sorry for her -- Spencer? Not so much. And just as she laments about what MonA has done to them, the teen of the moment enters and says she's determined to gain their trust. "I'm better now," she assures.
A disturbed Hanna risks the world knowing about Haleb -- she goes over to Caleb in the courtyard and tells him what happened with the brain. While he wonders if MonA did that to herself, she wonders why Lucas is limping and asks Caleb to get down to the bottom of it.
Outside at lunch, Spencer and TobAy are having a very awkward lunch -- unbeknownst to her -- and she asks him, "Do you think Jenna transferred schools because, after Garrett, she was afraid she was next?" Spencer says she was one of the last people alive who was involved with the NAT Club and then, she sees the other living member, Jason, who is embracing MonA.
Back inside the halls of Rosewood, Emily sees there's a new janitor and he's the Norman Bates-like fella who welcomed them to the Lost Woods Resort. Em and Hanna sneak to the basement and see Norman has MonA's bizarre baby-face mask. They're barely whispering right outside his door and shockingly, he hears them and checks the hallways. He's holding a pen like it's a flashlight or a knife. Baller Swiss Army knife, good sir.
After school -- or during, because, you know -- Aria stops by Ezra's and gets a text from Hanna about Harold so she quickly exits. On her way out the door, she practically trips over a basket with a balloon that reads, "It's A Boy!" The "A," of course, is in bold red font. And, there's a card: "Like babies, lies grow bigger. Then they start talking. When will YOU?"
One person who certainly doesn't have a problem talking: Spencer. She and TobAy are finishing up a very, very sweaty run and The Shirtless Wonder says, "I think we earned some hot tub." Sadly, that line came without a TV sick bag and my mom is "going to vomit," but it does come with the arrival of Jason. Spencer sees his car and decides to ask him bluntly about his relationship with MonA. As Jason carries his 97th box of the series into his house, Spencer warns him not to trust MonA, but he says he likes to give people the benefit of the doubt.
Meanwhile, Aria and Hanna meet Emily at The Brew and consider the origins of the basket, but when Caleb arrives, he's got some answers in the form of the transcript from a meeting between the Rosewood High principal, MonA and her parents. Turns out, MonA's parents didn't want her to return to Rosewood -- she begged them to let her.
Interesting, but back to Alex Mack. Hanna says Aria needs to just tell Ezra about the baby and looks longingly over at Caleb, knowing what happens when a child doesn't know his or her father.
Back at the Parentless Hasting House, Spencer and TobAy have a very un-relaxing encounter in the hot tub and as Spence ponders why Jason could be ignoring her warnings, she hears something in the woods. Spencer jets long before the jets get going and TobAy looks bummed.
Mom: "Where is this hot tub?"
Jaimie: "Spencer's house."
Mom: "They haven't shown Spencer's living room this whole episode. What is up with that?"
Jaimie: "Good point."
Mom: "I want to punch Toby in his ugly face."
Anyway, that night, Byron approaches Aria about being in Meredith's class and it's clear hist mistress told him a lie about the way the Liars welcomed her.
Jaimie: "Meredith is up to noooo gooood."
Mom: "She definitely is, but her hair looks really gooooood."
Jaimie: "Get over it."
Mom: "OK. But I won't get over wanting her to break out and dance."
As Byron happily leaves Aria's bedroom, she asks him about Ali. "I like all of your friends," he tells her. "You never spent any real time alone with her though, did you?" she continues. He denies it and leaves her room, but as she ponders, he looks on creepily from outside be bedroom door.
Mom: "Now that Byron is potentially involved, he is a tool and a creeper and a pathetic parent."
The next morning, the girls wake up to find MonA has made a video, which would certainly have earned her a spot on "Real World Rosewood." She tearily talks about being tormented in her nerdy days and opens up about her time. Just before Hanna can't take any more of MonA's bullshit, Lucas knocks on the back door. Hanna asks him what happened to his leg and he says it was a "skateboarding accident." Lightbulb! TobAy was chasing Lucas at the start of the episode.
Mom: "Question -- where did Toby get the money for that big fancy SUV? He used to be poor and Spencer bought him that truck."
Jaimie: "That is not a valid question. Money and sun are bountiful in Rosewood. There are no broke people, no cold days and it only resins for kissing scene purposes."
Lucas tells Hanna that MonA was easily able to sneak out of Radley, but "that's the best that [he] can do."
For whatever reason, Hanna seems happy with his explanation before heading over to the town's 10K where every color and style of hoodie can be found. At the start of the race, everyone is watching the video and MonA arrives to her classmates offering their condolences and shoulders to cry on. "That's called greeting your converts," Aria says.
As Hanna's grandma makes the impromptu decision to sing the National Anthem -- "because she is Betty Buckley can," Hanna says -- Lil' Marin tells the girls, "I think MonA was on the Halloween train that night."
Mom: "I wish she would sing 'CATS.'"
Jaimie: "dun dun DUN dun dun DUN dun dun."
Mom: "I want them to address why Hanna's grandma is there all of a sudden."
Jaimie: "Let it go."
Mom: "Where is Ashley!?"
Jaimie: "With the pastor ... doing it."
Mom: "How unfortunate for his parish!"
Spence has hatched a plan to break into Norman's office and they do so with a bobby pin. But the bag of MonA's things on Norman's desk is gone. They do, however, see the journal Emily and Hanna saw him writing in. Apparently, he was drafting a long letter to MonA, thinking that was her diary, but in reality, it was Ali's -- the same one Spencer saw in MonA's lair.
The Liars see a passage about Byron and (cue flashback), we find out that Ali was blackmailing him about his affair with Meredith. She wanted a large sum of money and said he had until Labor Day -- which is when she met her fate -- to hand it over. Presumably, that's what they were arguing about when Garrett overheard them the night Ali died.
While the Liars are digging through the office and taking trips down someone else's memory lane, MonA is giving Jody the evil eye at the finish line.
When the girls hear noises in the basement, they leave the office (with a page from Ali's journal in hand), but not before Norman, holding a large pair of sharp clippers, stops them. Suddenly, TobAy arrives to "save the day" and Spencer says she's "so lucky [he] was there." God, it's going to be sad when she finds out the truth about him.
Still, the coast isn't clear because when the Liars and TobAy walk outside, there's an explosion in the shed outside the school, which we later learn injured poor Jody.
Mom: "Should've known. Mona was giving her the evil eye so that means curtains."
Byron tells Aria he invited Jody to stay over, but she declined due to a note that read: "Can you grab two swag bags for staff leaving early? -Thanks" Apparently, says Byron, the note led her to the storage shed, where the explosion happened and he's pointing his finger at Aria and her fellow Little Liars. He begs Aria to divulge her secrets, but when she throws that back in his face, the conversation is over.
Back at Jason's house of boxes, Spencer warns him again (noting that MonA escaped the explosion, unscathed) and he says he completely gets it. As she walks away, MonA walks onto the porch to nurse Jason's wound ... Did he set off the explosion?
As the credits roll, there's one more scene, which (I will not lie to you) I watched easily five times. "A" was unscrewing the bolts on someone's bicycle outside of a school, which may or may not have been Rosewood. When a student comes outside -- which a close-up on his book reveals it's the "Eastern Pennsylvania Academic Decathlon" -- he gets on the bike and a few seconds later, we hear a pretty hilarious, "Ah!"
The previews for next week's episode, include what appears to be a debate between Spencer and MonA. Is it the decathlon they're competing in and did a member of the "A" Team try to injure a component via bicycle? It remains unclear.
And for those really cool people -- like myself -- who were following along with Mona Vanderwaal on Twitter for clues, you were let to this: WANT MORE OF MY VIDEO? GO TO DENOFLIES DOT COM. The website includes the full version of MonA's viral video confession and when the video starts to get wonky at about 1:30, MonA begins talking to a "friend" who had the idea to film it in the first place. Is it TobAy? Is it Jason? Is it someone else? Weigh in the comments.
Quotes Of The Night
"He's basically hugging a hand grenade." -Spencer on MonA about Jason
"If those pervs didn't even want to peep in her window -- Why would they want to hang out with her?" -Aria on MonA's relationship with the NAT Club
"I have classes. I can't step out every 10 minutes just to report to mom that I'm alive." -Emily
"Well, the buddymoon's over." -Aria about Harold and MonA
"Hey, feed me. I'm starving." -a very bossy Caleb to Emily
"That child is more twisted than my toes." -Gramma Marin
"I think Mona might be the best argument we've got against human clothing." -Gramma Marin
"C'mon. Have a taught you nothing?" -Spencer
//Boulder prepares to renew Comcast franchise agreement///
How to provide better service on the city's educational and government channels, make sure city residents get good cable service and manage technological changes are some of the concerns Boulder City Council members have as they prepare to renew Comcast's franchise agreement.
The non-exclusive franchise allows Comcast access to city rights-of-way and generates more than $1 million in revenue for the city's general fund, as well as $137,926 a year for Educational Channel 22 and Government Channel 8.
Comcast and city officials are working on a survey of customers in preparation for negotiating the franchise agreement, which is also constrained by federal law.
Council members raised concerns about the difficulty of navigating the channel guides, as well as concerns about how much energy the cable boxes use.
They also asked questions about how changing technology that is eroding the difference between cable television and Internet service might change what the community needs from Comcast.
Policy adviser Carl Castillo, who is working on the franchise renewal for the city, said the new agreement should include language that would comply with any federal regulatory changes that reflect those technological changes.
The issues that city officials have identified so far include the cost of various packages, notification of changes to channel lineups, enhancing public safety by addressing concerns about the 911 callback system, upgrading broadcast facilities in the council chambers and possibly raising the amount of money collected per customer to fund government and educational channels.
Boulder Mayor Matt Appelbaum asked how much use people get out of Educational Channel 22.
Director of Communications Patrick Von Keyserling said that because the Boulder Valley School District took over the channel last year, there have been no complaints, and the school district has invested in new equipment and new programming.
However, Castillo and Von Keyserling agreed that if the city wants more revenue for the public channels, some of which will come from customers, it should make sure the channels are providing a good value.
There will be a public hearing about the franchise renewal in the fall.
////Crowdfunding Start-ups Wait in Wings as SEC Stalls////
In an afternoon ceremony at the White House on April 5, 2012, President Obama signed off on the creation of the Jumpstart Our Business Startups Act, declaring that, with his signature, start-ups and small businesses will "now have access to a big new pool of American investors--namely the American people."
The bipartisan piece of legislation drew overwhelming support from around the country, but there's been one problem: Nothing has really happened yet.
At first, the Securities and Exchange Commission was given a 90-day deadline to implement the JOBS Act. To do so, regulators needed to rework the legal framework of the 1933 Securities Act to allow companies to raise money from investors without those companies registering financial information with the SEC. The SEC discussions have revolved around lifting the ban on "General Solicitation," which essentially defines the process by which a company can go out to raise money from investors.
Once the ban is removed, companies will no longer need to register their financial information with the SEC. This considered, it's not surprising that the SEC is taking its time.
What it comes down to is fairly simple: The SEC has been forced into a balancing act between allowing companies the freedom to raise funds from investors and protecting those investors (who, in some cases, for the first time won't be limited to professional investors) from potential fraudsters.
It's complicated, sure, but it's taking much longer than anyone anticipated. On June 28, 2012, SEC chairwoman Mary Schapiro admitted that meeting that 90-day deadline was "not feasible." A more realistic deadline, she said, was December 31. That deadline, too, has passed, leaving crowdfunding start-ups in the lurch.
Some have gotten creative while they wait. Crowdfunder, a Los Angeles-based start-up that launched in May 2012 in anticipation of the JOBS Act, now allows companies to float ideas for businesses, and lets users vote on whether they would--theoretically--invest in the company. EarlyShares, another crowdfunding platform, has used the time to embark on a tour of the United States that it's calling a "Nationwide Educational Roadshow."
But mostly, entrepreneurs are frustrated.
"The law was passed in April, and it had 90 days to be implemented," Rory Eakin, co-founder and COO of CircleUp, a San Francisco-based crowdfunding start-up that launched in 2011, told Inc. "It was due to be implemented in early July, and we're still waiting."
No one knows for sure when the SEC will iron out the details. Some predict that it will be the first quarter of 2014, at the earliest. But the SEC has apparently wisened up, realizing one fundamental truth: You can't miss a deadline that doesn't exist.
"We will continue working hard amid a busy rule-making agenda to get these crowdfunding rules done as soon as possible and to get them done right--with the appropriate investor protections in place," an SEC spokesman recently told The New York Times.
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